bad

Bad Bunny sings against gentrification and touristification. His tour has increased the price of hotels in Madrid by 29%

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Bad Bunny has been on tour for a year and a half with an album that criticizes mass tourism and the displacement of Puerto Rico’s residents. Meanwhile, his time in Madrid has increased the average price of hotel rooms by 28.9% and its most emblematic setting (La Casita, a replica of a popular Puerto Rican home) has become a VIP area for celebrities. We are well aware of the contradictions of capitalism, but in this case, coming from where they come from, they have exceptional relevance. What happened to you. One of the most relevant songs from Bad Bunny’s latest album, ‘I should have thrown more photos’ is ‘LO QUE LE PASÓ A HAWAii’, a song that, has been analyzed in great detail because it denounces gentrification and the privatization of natural resources in Puerto Rico. To do this, he draws a parallel with the touristification process that has turned Hawaii into a destination for the rich and expelled its original communities. It is a problem that resonates in Mexico, Cuba and Spanish regions affected by mass tourism. The album was accompanied by a short film commentator filmed in a traditional home in Humacao, on the east coast of Puerto Rico, owned by Román Carrasco Delgado, an 84-year-old man. The house (with its wide porch and traditional kitchen) became the visual axis of the project: La Casita. Now, a portable version of it tours stadiums around the world, although its significance has partially changed. USA no. There was also a lot of talk about how on his world tour, Bad Bunny chose not to tour North America. He staged a residency of 30 concerts between July and September 2025 at the José Miguel Agrelot Coliseum in San Juan, Puerto Rico. And the first nine shows were reserved exclusively for residents there. The effect was absolutely unusual: the NGO Discover Puerto Rico calculated a tourist injection of about 200 million dollars in accommodation, transportation and restaurants; others spoke of 733 million including the impact on the international perception of the island. What came then was the inevitable express gentrification: short-term rentals grew 118% in August compared to the previous year. The mayor of San Juan himself recognized months later, at FITURthat visitor spending on the island had increased by 700 million dollars compared to 2024. That is, the album denounces mass tourism and the concerts, in turn, generated mass tourism in the low season. More than half of foreign visitors declared that the concert was the main reason for his trip to the country. Come on, the pattern of event tourism that saturates infrastructure and makes rent more expensive. Welcome Mr. Bunny. The ‘DeBÍ TIRAR MORE FOToS World Tour’ tour has been in Spain since May 30, 2026 and will extend until June 15, with ten concerts at the Riyadh Air Metropolitano. The impact on tourism is being noticed: In Madrid alone, hotel occupancy in the region reached 47% on average in the period between May 29 and June 14 and the average price per room has risen by 28.9%. The Association of Music Promoters estimates a total economic impact of between 185 and 220 million euros, and some 600,000 spectators will pass through the stadium, around 40% from outside the Community of Madrid. The Spanish Casita. The secondary stage once again occupied the center of the debate, due to its repertoire of visitors in Madrid and Barcelona, ​​which has included Esther Expósito, Ana de Armas, Marta Ortega, Álvaro Carreras, Lamine Yamal, Los Javis and Chiara Ferragni, inter alia. Aside from the famous guests, Bad Bunny’s team also selects fans from the general public to go on stage, and this selection process has generated criticism on social networks, since is systematically chosen to young women who respond to a very predictable standard of beauty. Bad Bunny has explained He doesn’t like the concept of the VIP area, so he decided to make a replica of the little house from the short film, with its kitchen and sofa. The intention, in his words, was to “democratize privilege through symbolism.” Many fans see in practice a social showcase which contradicts the message of the album. The original Casita. Let’s go back to Román Carrasco Delgado: he built his home in Humacao in the sixties with the help of his father and brother, both carpenters, block by block. It has three bedrooms, two bathrooms and a porch. In November 2024, a member of Bad Bunny’s team asked him for permission to use the farm as a location for the short film. Collection two checks: one for 2,400 dollars and another for 2,800. In September 2025, Carrasco filed a lawsuit against Bad Bunny and his partners before the Court of First Instance of Puerto Rico for six million dollars: five for unjust enrichment and unauthorized commercial exploitation of the image of his property, and an additional million for emotional damages and loss of privacy, given that since the release of the short film his house has not stopped receiving visitors and onlookers. His house was copied without properly compensating him, and although Carrasco assures that he does not wish Bad Bunny any harm and only wants to receive what is his, the Casita is, once again, the best symbol of the contradictions in the artist’s project.

Anthropic has moved ahead of OpenAI in its race to go public. This is very bad news for Sam Altman

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Anthropic confirmed on Monday which has formally registered its application for its long-awaited IPO. The operation may become the largest in the history of its type, and reminds us of another singular moment. In August 1995, Netscape went public and marked the beginning of the era of the Internet and dotcom fever. That turned out to be a bubble, but “good”. The question is if it will be repeated what happened then. The original Netscape moment. When Netscape went public, the company had only been on the market for 16 months and had not made a profit in all that time. It didn’t matter. The shares went on the market on August 9, 1995 with an initial price of $28. On its first day of trading, the value skyrocketed quicklyreaching a high of $75 before closing at $58.25. In December of that year it would reach its maximum value, $171 per share. The rest, as they say, it’s history. Netscape’s IPO sent the Nasdaq technology index soaring… until the dot-com bubble hit in 2000. Source: Reuters. Anthropic could break all records. Anthropic’s spectacular growth in recent months has made the company in the pretty girl of the AI ​​sector. The recent investment round has raised its valuation to $965 billionan incredible figure considering that the company is barely five years old. It has also overtaken OpenAI, whose valuation It is currently around $850 billion.. Both were moving to go public this year, but Anthropic has gone ahead again, something that at first glance seems like another victory against its main rival. What Netscape taught us. The explosion of Netscape in 1995 gave rise to fierce competition: companies promising gold and moro did not stop appearing, and the dotcom bubble grew. Too many companies managed to attract investment without a clear business plan and the situation ended up leading to the bursting of the bubble. A few companies survived and managed to become the great giants of today’s technology. good bubbles. That bubble could be described as “good” because although many companies failed, those that remained and those that were created later ended up leading this revolution called the internet. For many, the AI ​​bubble exists, but it is similar to the dotcom bubble in that: many companies could disappear if it bursts, but the final result, they say, will be positive for the evolution of our planet. But Anthropic is very different from Netscape. Although these IPOs present certain analogies, the situation of these companies is very different. Netscape suffered greatly to monetize its software and would end up in the hands of AOL in 1999 when its stage was closing. Anthropic has shown that its approach to businesses works, and in fact this past quarter it surprised by achieving profits (with small print) when everyone expected losses. And still, total uncertainty. Anthropic’s projection—like that of OpenAI—is spectacular on paper, but we are talking about companies that in recent years have not stopped burning money to achieve the most powerful models on the market. All technology companies have been devoured by the AI ​​fever, but today the only ones who win (a lot) money are those that provide components for AI infrastructure. Milestone. The bet is that this infrastructure will be necessary because we will all use AI models on a massive scale, but it is not at all clear that this expectation will be met. It may not, but Anthropic’s IPO will certainly mark a milestone in the dizzying growth of this segment. And victory for Amodei. This year we will likely see three historic IPOs. SpaceX seems to be the first in breaking records, but both Anthropic and OpenAI follow in their footsteps. That the company led by Dario Amodei has formally confirmed its preparation for that exit is a symbolic victory against its great rival, Sam Altman, who is also planning the IPO of OpenAI. In recent months Anthropic has managed to turn the tables, and has gone from being the pursuer to the leader of a race that certainly is not over yet. Image | Wikimedia In Xataka | Anthropic is one step away from being worth as much as Samsung. And what the market is buying is not Claude

Bad Bunny’s authentic party takes place in Sector T, the “stiffs” outside the Metropolitano

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600,000 tickets are a lot of tickets. They are the ones that Bad Bunny has sold out for twelve concerts in Spain. The cheapest ones are around 70 euros. The most expensive, 600. The venues are going to be full every night. And yet, hundreds of people stand on the street, spread blankets and take out refrigerators around Gate 20 of the Riyadh Air Metropolitano and listen to the concert with a clarity that rivals that inside the venue. They call themselves Sector T. The T is for “stiff.” Who are they? Bad Bunny’s second concert in Madrid On Sunday, June 1, it left in its wake, along with the inevitable celebrity counts at the Casita (which are invariably the most read news in the media that cover the concerts), an image that circulated on social networks: hundreds of people who did not get (or did not want) entry gathered spontaneously outside the stadium, specifically in the area of ​​gate 20. There the music comes with surprising clarity and you can even see part of the stands of the venue. The scene was summed up by a spectator with a phrase that accompanies many of the videos: “Sector T of stiff but happy being able to afford the 10 dates.” The expectation. Bad Bunny debuts in Madrid a residency format that he had only done before in Puerto Ricowith ten consecutive nights in the same stadium. The tour brings together more than half a million people in its ten dates at the Metropolitano, with tickets flying in a matter of hours after they went on sale. The demand was so brutal that thousands of fans were unable to attend, but the feeling has not diminished that the concert is the place in Madrid where you “have to be” right now (with permission of the Pope’s visit). That is why the T Sector phenomenon has occurred. Metropolitan FTW. The Atlético stadium was not always the first reference in terms of concert venues in Madrid. That role corresponded to the Bernabéu, whose expensive renovation was designed precisely to turn it into a continuous entertainment space, without depending on football. We already know the story: acoustic problems, complaints from neighbors, and now the developers have to take care of possible fines. Clearest consequence: the Metropolitan takes the biggest musical shows of the yearamong them Bad Bunny and his ten nights at the athletic stadium. The Metropolitano has established a contractual limitation that requires all shows to end no later than 10:59 p.m., as a measure aimed at protecting residents’ rest and bringing forward the departure of the public. The venue also states that it operates with one of the most advanced acoustic control systems in Spain, which includes real-time monitoring, limiters verified by the City Council, probes in homes in Canillejas and Las Rosas and state-of-the-art acoustic barriers. Neighborhood associations have complaintsYes, because of the chaos at the exit, with traffic jams, horns, screams and so on. Sector T, of course, is a free agent who is not subject to any of those restrictions. The future of the T Sector. Bad Bunny still has eight more dates confirmed at the Metropolitano: June 2, 3, 6, 7, 10, 11, 14 and 15. The makeshift sector of Gate 20 will have the opportunity to grow over the next two weeks: Sector T will grow larger as the tour progresses and images of the exterior circulate alongside those of the interior. What is not yet clear is whether the Metropolitan or the organization of the event will take any measure regarding the concentrations at the exterior entrances. For now, no one has told them to leave, so they will be there. And some will repeat. Image | NFL In Xataka | If the question is who can turn Amancio Ortega into his personal tailor, we already have an answer: Bad Bunny

China already has a GPU that competes with Nvidia’s RTX 3060. The bad thing is that it arrives five years late and worse

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The china crusade for achieving the complete independence in the field of semiconductors has taken a new step. The problem is that this step has not been as promising as we expected, and in fact it makes it clear that today the Asian giant is still far away of the semiconductor manufacturers that dominate the market. The alternative for gamers that promised. Lisuan Tech (砺算科技), a Chinese company dedicated to manufacturing semiconductors and solutions such as graphics cards for the end-user market, has launched its new GPU for the consumer market, the LX-7G100. The price and expectations. The official starting price is 3,299 yuan (about 420 euros at the exchange rate), and at that price the equivalent graphics card should be at least an RTX5060 Ti, which is usually below 400 euros. What we get in performance is far from that. Performance tests of the LX-7G100 typically fell well short of the RTX 3060.Source: NotebookCheck. Worse than the RTX 3060. The problem is that those who have had access to this graphics card and have evaluated their benefits They have realized that this manufacturer’s GPU is very far from that price/performance estimate. In fact, it usually competes more with the RTX 3060 of 2021, but even with it it loses: it offers approximately 65% of the performance from its rival NVIDIA. Good specifications. On paper, the LX-7G100 should offer more performance. It has a 7G106 GPU, 12 GB of GDDR6 memory and decent bandwidth, for example. However, it does not have truly mature support for DX12 and does not offer an alternative to Nvidia’s DSLL or AMD’s FSR. When used in modern games, performance plummets due to rendering glitches and code translation bottlenecks. Not even for AI. At Lisuan Tech they have also tried to bet on their ability to run local and private AI models. However, most of the development of AI projects is linked to Nvidia’s CUDA architecture. It is true that the Chinese company has its own compatibility layer to translate PyTorch and CUDA code to its native architecture, but the loss of efficiency is notable, which makes inference or local model training tasks become too slow compared to those allowed by Nvidia graphics. difficult to compete. Lisuan Technology announced the first milestones of this launch a year ago. The rumors they indicated that its G100 graphics processor is manufactured by SMIC with a 6nm photolithographic process that complies with US restrictions. An attempt was made to launch in 2023, but Lisuan had financial problems and a capital injection of $27.7 million managed to keep the project going. It remains to be seen if sales ultimately follow through, although certainly its price/performance ratio makes it attractive only to audiences like the Chinese, who may have more difficulties accessing models like the Nvidia RTX. In Xataka | The end of Nvidia in China seems to be very near: its current market share is 0%

Influencers have made it fashionable to give yourself cramps in your vagus nerve to cure stress. Science has bad news

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After a marathon day, what if the report doesn’t arrive, feed the kids, walk the dog, go to that Pilates class… And your brain refuses to turn off. You open TikTok or Instagram looking for a distraction and, between dances and recipes, a influencer. Wear a minimalist design device around your neck or clipped to your ear. It promises that with the push of a button and a few small electrical pulses, your anxiety will disappear, you’ll sleep like a baby, and your “brain fog” will lift. they call it “the great reset of the nervous system”. For centuries, the vagus nerve has functioned in complete anatomical obscurity, but today it has achieved an almost mythical status in the wellness ecosystem. According to The New York Timesthere are billions of social media impressions about this nerve. Celebrities like Kelly Ripa and podcasters like Andrew Huberman They praise their virtues. “A lot of this is being driven by influencers saying, ‘Just do this to stimulate your vagus nerve, and all the problems in your life will be solved,’” explains Dr. Kevin Tracey, a neurosurgeon and president of the Feinstein Institutes for Medical Research. It sounds like science fiction, but forecasts suggest that the stimulation of this nerve will generate a billion-dollar industry by 2030. The inevitable question that arises is: can we really “hack” our stress with neck cramps, or are we facing the umpteenth expensive internet placebo? To understand the phenomenon, you must first understand the biology. As explained by the Cleveland Clinicthe vagus nerve (whose name comes from the Latin “wanderer”) is the tenth of the twelve cranial nerves and the longest of all. It arises in the brain stem and winds through the neck, chest, and abdomen, connecting the brain to the heart, lungs, and digestive system. It is the main highway of our parasympathetic nervous system, the one in charge of the “rest and digest” function. Basically, it is the body’s handbrake. When we get stressed, the sympathetic system (the “fight or flight” response) is activated; When the danger passes, the vagus nerve should come into action to calm the pulse and relax the body. But why are people obsessed with electrocuting him? According to the magazine Women’s Healthwe live in an epidemic of chronic stress. The flood of emails, traffic jams and daily pressures cause what is known as “vagal dysfunction.” Our body gets stuck in survival mode and loses the ability to calm down.. The promise of a quick fix has led to the emergence of commercial devices. When faced with the idea of ​​using home electricity, it is normal to wonder if this is dangerous. Generally, the physical answer is no. According to Dr. Michael Kilgard, director of the Texas Biomedical Device Center, interviewed by The New York Timesthe batteries in these commercial devices are too small to burn the skin. The most you feel is tingling. However, the real danger is psychological and medical. “The strangeness of the sensations is annoying enough that people feel like the devices are doing something,” Kilgard warns. In most cases, these gadgets are “probably little more than a placebo disguised as neuroscience“. The risk lies in false hope: patients who spend hundreds of euros on devices that do nothing, delaying medical treatments that have been proven to be effective. To understand the true impact of this false hope, it is vital to separate the wheat from the chaff and define where scientific rigor ends. The line between medicine and marketing wellness The science of Vagus Nerve Stimulation (VNS) is real, fascinating and very complex, but it is light years away from what the marketers sell. influencers. There are real medical devices, but as a comprehensive review article published highlights in the scientific journal Comprehensive Physiologyinvasive stimulation (iVNS) “remains the gold standard with well-documented efficacy.” That is, we are talking about small devices similar to pacemakers that are surgically implanted under the skin of the chest, with cables threaded directly to the nerve. According to Cleveland Clinicthe FDA (the US drug agency) has approved these severe implants to treat cases of resistant epilepsy and severe clinical depression. Medical research continues to advance. A pivotal clinical trial published recently in Nature Medicine (the RESET-RA trial), demonstrated that an implanted neuromodulator system targeting the vagus nerve significantly reduced inflammation in patients with rheumatoid arthritis who were unresponsive to conventional medications. On the other hand, as a review points out from the magazine Exploratory Research and Hypothesis in Medicinethe use of non-invasive stimulators (in the ear or neck) is being intensively studied in clinical settings for rehabilitation after stroke or to slow cognitive decline. But what about the devices that anyone can buy online to “de-stress”? The experts are blunt. Dr. Kristl Vonck, neurologist at Ghent University, warns that consumer devices They are “lightly regulated and do not have to prove to the FDA that they actually work.” Many companies hide behind vague claims about “wellness” to avoid medical controls and use the language of real clinical trials as a mere marketing tactic. Furthermore, as a clinical researcher explains in The Conversationmanipulating the vagus nerve is not a panacea and does not work the same for everyone. Some people in clinical trials experience headaches, worsening migraines, or even a drop in mood when receiving stimulation. “Most diseases involve multiple biological and psychological factors, and no single nerve explains or solves all of them,” he says. Misinformation is not limited to devices; It also covers home diagnostics. The magazine Bustle recently echoed a viral trend on TikTok: the “three drinks” test. Content creators claimed that if you are unable to swallow saliva three times in a row and quickly, your vagus nerve is seriously deregulated due to chronic stress. The therapists had to intervene. Chloë Bean, an expert somatic trauma therapist, clarified that swallowing does involve this nerve, but not being able to do it three times in a row “does not automatically mean that your vagus nerve is stuck.” It … Read more

If the question is who can turn Amancio Ortega into his personal tailor, we already have an answer: Bad Bunny

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The launch of the joint capsule between the Galician giant Inditex and the Puerto Rican artist marks an unprecedented milestone in the industry. This long-awaited collection of 150 pieces, baptized as “BENITO ANTONIO”has landed this May 21 just in time to become the official uniform of his imminent I SHOULD TAKE MORE PHOTOS Tour for Spain. If the videos of “Get Ready With Me” (GRWM) flooded the networks looking for the perfect look for Rosalía’s concerts, with Bad Bunny the phenomenon will be very different. Given its 12 dates in Spain and 600,000 tickets sold, the stylistic dilemma has already been resolved in one fell swoop. As explained esquire, this capsule is not the typical merchandising on tour, but a democratization of the artist’s closet. There is no longer a need to invent or imitate your style: now your followers can directly wear your same aesthetic universe and street sensibility. Behind the alliance. Far from being a simple commercial move, choosing a security firm fast fashion to dress a global superstar hides a deep social message. Bad Bunny launches a declaration of rebellion against the inaccessible standards of the industry: good taste and style go beyond spending thousands of dollars on luxury brands. This phenomenon has been baptized by experts as a true “change of power.” As Professor Andrew Groves points out from the University of Westminster, wearing a Zara suit to events the size of the Super Bowl or the MET Gala conveys authority, but “that authority comes from Bad Bunny’s cultural standing, not a luxury house’s seal of approval.” The message beyond. Beyond fashion, the message is sociological and political. Choosing Zara (a Spanish brand with global reach) for the Super Bowl halftime or the MET Gala, an event historically dominated by Anglo-Saxon culture, was a declaration of intent. Bad Bunny uses his influence to tell the world that the Latin and working class identity no longer needs to ask permission or dress in Parisian haute couture to sit at the table of the most powerful. With this on the table, Inditex has not limited itself to hiring the face of a celebrity for a seasonal campaign. The final result shows that it was the artist himself who has adapted all of Zara’s machinery to his universe, his instinct and his identity. Strengthening the Galician firm as its head. The construction of this alliance has been a careful chess game designed over the last few months, evidencing Marta Ortega’s firm intention to strengthen her brand in the US market under the concept of fast couture or “affordable luxury”: The first advertisement in Super Bowl LX: In February, Benito performed before more than 100 million viewers wearing a tailored outfit (bespoke) cream color designed by the Spanish firm. Zara preferred intangible prestige to mass sales, refusing to commercialize the design, although it did have a close gesture by giving away exact replicas of the garment to the workers at its headquarters in Arteixo. The transformation at the Met Gala 2026: The next coup de effect It happened at the so-called fashion Oscars. The Puerto Rican braved the red carpet with a black double-breasted tuxedo custom made by Zara. The suit, sober and elegant, gave all the attention to a hyperrealistic makeup with prosthetics created by Mike Marino, which added “53 years” to the artist to adapt to the theme of the event about the aging body and discuss the social fear of mortality. He teaser by Marta Ortega: To confirm the rumors of the collection in an organic way, the president of Inditex herself wore it at the Longines Global Champions Tour in Madrid a new green cap with the embroidery “Benito Antonio”, advancing the news before the official statement. The soul of Puerto Rico spun into 150 garments. Developed side by side with its creative director Janthony Oliveras, the collection completely escapes tropical caricature. The specialized newspapers agree in praising the authenticity of the proposal, highlighting a design and aesthetics that, as it points esquiremoves between relaxed tailoring, artisanal textures, a great weight of color and basic garments oversizeideal for withstanding the heat of the imminent concerts. Added to this careful preparation is a rich graphic imagery created together with the prestigious M/M Paris studio. The visual identity of the clothing takes direct references from urban infrastructure, electric poles and everyday elements of the streets of San Juan, a decision that should not be interpreted as an exoticization of the Caribbean, but as a demonstration of a deep sense of belonging. Finally, as a definitive detail of loyalty to its roots, L’Officiel remember that Zara decided completely redesign its Plaza Las Américas store in San Juan, Puerto Rico, turning it into an immersive space to debut this capsule exclusively with its compatriots before making the final leap to the rest of the world. A commercial and identity milestone. With this collection, Zara and Bad Bunny have not only signed the most astute agreement of the year, but they have changed the rules of musical fashion. When thousands of fans fill the Metropolitan Stadium dressed in ‘Benito Antonio’ ​​basics, it will be demonstrated that the luxury of our era is not exclusivity, but the ability to make an entire stadium dress with your own identity. Image | Zara Xataka | Zara dressed Bad Bunny at the Super Bowl. That says much more about Zara’s plans than about Bad Bunny

One more day, Marcos Llorente wants to convince you not to use sunscreen. One more day, we know it’s a bad idea

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In 2026, we are not going to discover Marcos Llorente. Not just because it is an old acquaintance of the Spanish public conversation: midfielder for Atlético de Madrid, Instagrammer with more than two million followers and owner of an enormous amount of pseudoscientific (and, above all, very dangerous) ideas on health issues. But because the large media groups are already in charge of ensuring that it does not go unnoticed. Last night, in the Hormiguero, he repeated again verbatim his usual speech against sunscreen. It is true that Pablo Motos confronted him with data from the Spanish Academy of Dermatologybut Llorente got away without a problem, questioning the studies and maintaining that “many dermatologists and health professionals defend this lifestyle. It is simply having a coherent relationship with the sun.” This, of course, it’s a lie. But we are talking about a serious topic and, for that reason, it is worth returning to it. A “coherent” relationship with the sun? On the one hand, The Skin Cancer Foundation estimates that 86% of melanomas and 90% of other skin cancers are associated with UV radiation. On the other hand, the AEDV maintains that “a significant portion of sun damage accumulates before the age of 20.” In this sense, having TikTok star footballers defending that chemical protection is useless is extremely dangerous. Above all, because it is not (far from it) the first time he has defended it. And we must not forget that, every year, more than a thousand people die from cutaneous melanoma. A misconception, but a very widespread one. Because we must not forget that, as José María Ricart explained to usdermatologist and medical director of the Ricart Medical Institute (IMR), “many people still believe in the idea of ​​a ‘healthy tan’, when in reality it is a sign of skin damage.” Sometimes we have the feeling that sunbathing without protection is little more than simple carelessness; but no: it is a practice that accelerates skin aging and increases the risk of skin cancer. We focus on the most well-known rays, but not the most insidious ones. As Ricart explainedit is important to know well the two types of ultraviolet radiation that can affect us. On the one hand, UVB rays, more powerful in summer, are those that cause sunburn and damage cellular DNA. On the other hand, UVA rays, present all year round, even on cloudy days, penetrate more deeply and are responsible for premature aging. It’s time to stop seeing melanin as a “biological protection” and tanning as something positive. They are not. Tan “is nothing more than a defensive response of the body. It is its way of saying: ‘I am damaging myself’. If anyone still doubts this, compare the skin of the face with that of the buttock, an area never exposed to the sun: without spots, without wrinkles, without photoaging,” explained the dermatologist. What is happening? let there be people deciding not to apply sunscreen going tan is problematic (and bad news for your dermatological health); But the fact that large media groups have no problems with bringing these types of ideas to ‘prime time’ is absurd. Because it is worth remembering that, despite the fact that he presented it as a debate, what was done yesterday in Hormiguero is advertise personal opinion of a footballer against the consensus of the AEDV, the WHO, the SEOM and the Ministry of Health. The mere idea of ​​calling it ‘debate’ is a mistake. Image | The Anthill Xataka | That the AEMPS withdraws six sunscreens is good news. That the OCU had to ask for it is worrying

Spain has broken records in youth employment. The bad news is that one in three unemployed people is already over 50 years old

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Unemployment in Spain has been chaining months of good news. In April, the number of unemployed fell to 2,357,044 people, falling below 2.4 million for the first time since June 2008. The story, seen from afar, is that of a labor market that has finally left its worst unemployment figures behind. However, that story has a blind spot. When the data is broken down by age, the initial optimism gives way to reality: the labor market is improving, yes, but not for everyone equally. The workers over 45 years they continue to fall behind, and the latest data of the State Public Employment Service (SEPE) confirm it. Senior unemployment is close to 60% of the total. Of the slightly less than 2.35 million unemployed counted in April 2026 in Spain, 1,376,550 unemployed were 45 years old. This represents 58.4% of all registered unemployment. In other words, six out of ten unemployed They are over 45 years old. The bad news doesn’t end there. Within this group of people over 45, one in three unemployed people is already over 50 years old. To put into perspective what that percentage implies, we must compare it with what happened in the same month among those under 25 years of age. Youth unemployment has improved its percentages with a drop of 10.2%, with 19,284 fewer young people on the SEPE lists. If we return to the data for those over 45 years of age, we find that only 19,990 people in this age group they found a job, but in this case the decrease has only meant a drop of 1.43%. That is, given the progressive aging of the active population in Spain, those over 45 years of age are the largest group, so although the number of people who have found employment are very similar, the weight as a whole is very different. Less unemployed, but more chronic unemployment. At the end of the first quarter of 2026, the segment of those over 55 years of age was close to 4.93 million employed people. This represents 22% of all workers in the country, with 242,500 more people than a year before. These are figures that reflect that, on the one hand, the active population is increasingly older and, on the other hand, he is retiring later and remains in the labor market for longer. The second bad news for those over 45 years of age is that those who lose their job at that age have enormous difficulties in recovering it. In March 2026, those under 25 years of age signed 308,094 contracts, compared to the 367,204 signed by the group over 45, which doubles the percentage of the active population in number. That leaves us with one conclusion: senior hiring is proportionally tiny. He Labor Market Report for People over 45 years of age 2026 prepared by the SEPE, indicates that this group will exceed 11 million employed during 2025, more than 50% of the total number of workers. Even so, this massive presence in existing employment does not translate into the same rate of access to new opportunities. This is an indicator that the barriers to the reintegration of those over 45 into the labor market continue to be insurmountable. once you lose your job. Proof of this is that 53% of the 755,500 unemployed people over 50 have been looking for a job for more than a year without finding it. Youth unemployment breaks its own record. The scenario for those under 25 years of age is diametrically opposite. unemployment among those under 25 years of age It closed April 2026 at 24.53% with a total of 169,693 people, the lowest figure in the entire SEPE historical series. In year-on-year terms, it represents a drop of 14.2% compared to April of last year, when there were 197,674 young people unemployed. A decade ago, in 2015, the youth unemployment rate in Spain stood at 44.4%. This sustained decline has no equivalent in any other age group, which makes youth employment one of the great successes of the Spanish labor market in recent years. In aging it is a determining factor. As the data show, age defines large differences in the impact of unemployment between the different segments of the active population, but this differentiation also means that unemployment punishes some communities more than others, with a special impact on emptied Spainwhere young people have moved to the large industrial hubs. By province, Zamora stands out strikingly because more than 62% of its unemployed are over 45 years old. Pontevedra and La Coruña also present very aging unemployment structures. In Xataka | There is a man who has been working for the same company for 85 years. And he has no plans to retire. Image | Unsplash (Hasan Mrad)

All experts agree that introducing bison into Spain is a bad idea. And yet we’re doing it

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Nine European bison have been grazing for four months in the Guadalajara municipality of El Recuenco, in the heart of the Alto Tajo. And the only really relevant question is why. I mean, we know why. They are there because the Rewilding Spain foundation and the town council itself have placed them in what has become the first case of bison in public forests in Spain. In fact, as long as we pay attention to what its promoters say, it is not only a renaturalization initiative, it is “a tool against forest fires.” The thing is, none of that explains why anyone thinks any of this makes sense. There have never (as far as we know) been European bison in Spain. Yes, yes. I know that one of the most iconic Spanish images is that of the painted bison of Altamira, but that animal was not a Bison bonasuswas a Bison priscus. A species that became extinct 9,000 years ago just when the habitat (the mammoth steppe) that welcomed it did. There is no conclusive paleontological evidence to say that there was ever a European bison on the peninsula. In fact, in 2020, MITECO commissioned a report that unanimously denied that this animal could be defined as an “extinct species in Spain”. Does that mean that it is proven that there was not? No, one thing does not imply the other. At any time we can find remote proof that there were. In fact, in February 2026 was announced that a skeleton about 4,000 years old had been found in Navarra that could be from a Bison bonasus. It is a matter of time before a genetic test confirms it (or not). Be that as it may, no one seems to care: the nine bison are in Guadalajara. And there are up to two doctoral theses that will examine fecal samples, stress levels and diet to study the adaptability of these animals and their effect on vegetation. The latter is interesting because, as I said, the second objective of all this has to do with vegetation. With its control and management. There it is, despite the skepticism of many expertswhere there may be a future. But it is not a simple future. To begin with, because the species cannot be the subject of an official reintroduction program. The nine specimens from El Recuenco (and the other 160 in the country) are not protected wildlife, but are classified as livestock or zoological nucleus. This requires them to be controlled, geolocated and monitored. But, above all, that forces us to ask ourselves many things and “do we have any capacity to control our country?” It is perhaps the most important. For years, people have been releasing beavers into the main Spanish rivers without anything happening. What’s more, in Spain have been detected more than 200 invasive species. The debate is not ‘bison yes or bison no’. Above all, because it is not a strictly Spanish debate. The United Kingdom reintroduced bison to Kent, the Netherlands did it decades ago… European rewilding is being done, to a large extent, outside the usual channels of conservation. And El Recuenco is just the local version of a deeper debate: that of what nature we want to exist in the future. Image | Oskar Jablonski In Xataka | We are reforesting Europe with trees that will not survive by 2100. If pests don’t kill them, climate change will.

1,800 years ago the Romans had an amulet against bad luck. It was literally a tiny penis.

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Measures about three centimetersis cast in bronze with great detail (anatomical) and despite being around 1,800 years old, it is surprisingly well preserved. We talk about a phallus. A penis. An ancient figurine representing male genitalia that archaeologists have just unearthed in a roman site from Cumbria, in the northwest of England. The most curious thing, however, is not the appearance of the penile statuette itself. But that it took so long for researchers to find it. We explain ourselves. Under a cricket pitch. He Carlisle Cricket Club is a large resort for cricket lovers located on the outskirts of the town of Carlise, in Cumbria, England. That’s today, of course. If we go back almost 20 centuries to that same land, located on the banks of the eden riverwelcomed some hot springs where the Romans came to chat and relax. Years ago a group of archaeologists started investigating in the area to search for remains of that remote Roman past. Among the many things they recovered at the site, in addition to ceramics, fragments of pillars and heads sculpted in stone, there is one that has attracted attention: a penis. What do you mean, a penis? The figurine in question revealed it a few weeks ago the photographer Pete Savin in And archaeologists believe that the piece has some 1,800 years. It would be logical to think that Savin or the director of the site, Frank Giecco, raised their eyebrows when they encountered such a discovery. However, the opposite happened: what had surprised them for some time was not finding any phallic figurines among the Roman ruins of Carlisle. “It is unusual that we have not found a phallus-shaped object at the site before, as it is very rich in other types of objects,” admits Giecco to the BBC. Don’t say penis… No, say best amuletwhich is the function fulfilled by the figurine found in Cumbria. The researchers they are convinced that its purpose was not to simply represent a penis and the piece did not have an obscene or sexual nature either. It was not even a symbol of fertility. At least that wasn’t his main goal. For the Romans the device surely acted as a talismana protective tool designed to attract good luck and ward off the evil eye. The Romans were so convinced of the healing power of these phallic representations that they frequently resorted to them, either by capturing them in figurines that they would then hang from their belts and use as jewelry or by carving them on the walls. Click on the image to go to the tweet. A phallus for the collection. The truth is that you have to take a quick look through the newspaper archive to see that discoveries like the one in Cumbria are relatively frequent. Even in England. Or in Cumbria itself. In 2019 a group of archaeologists from the University of Newcastle cataloged there several inscriptions left by Roman soldiers in a quarry near Hadrian’s Wall, a series of ‘graffiti’ drawn on the rock in 207 AD and including (exactly!) the relief of a phallus. Last year another team focused on Vindolandaone of the Roman forts that protected Hadrian’s Wall, encountered another similar surprise. During their excavations they located a penis-shaped pendant hidden among the challenges of a wall from the 4th AD. Archaeologists speculate that the piece, made of jet, was lost at the beginning of that same century. And given how polished its surface is, they believe that the owner of the amulet handled it frequently. Small, big, huge. Carlise’s piece barely exceeds three centimeters and Vindolanda’s (at least for the photos shared by researchers) appears even smaller. However, not all representations were so minuscule. In 2022, while investigating a site in the province of Córdoba, archaeologists discovered a bas-relief that shows a 45 centimeter phallus long. The figure was carved directly on the cornerstone of a large building, another relatively common habit. “It was common to place them on the facades of houses and soldiers wore small phallic amulets as symbols of virility,” explains to The Country Andrés Rodlán, director of the project, although he also recognizes that Córdoba engraving breaks the mold. “This one is unusually large.” The list of phallic representations found in recent years goes on and on, with discoveries stretching from the distant lands of Britannia. to Omritin Israel. Why this obsession? The experts believe that phallic figures were so popular not because of their explicit nature, but because of their enormous load of meanings. Whoever carried a figurine of a penis or decided to sculpt it on their wall did not simply intend to show a male genital. He sought to protect himself with an amulet capable of warding off the evil eye. In fact, they not only surrounded themselves with images of more or less anatomically accurate penises. They also created figurines of winged phalluseswith animal shapes or with bells. “Phallic emblems are found on a wide variety of Roman objects, from amulets and frescoes to mosaics and lamps. They were symbols intended to attract good luck and ward off evil spirits. As the ancient author Pliny attests, even babies and soldiers wore such amulets to invoke divine protection,” they explain from the MET Museum. The reality is that, if history has shown anything, it is that humanity has always shown a fascinating inclination to represent penises everywhere. Images | The MET Museum and Carole Radatto (Flickr) In Xataka | Almost 2,000 years ago a Celtiberian soldier visited the most remote frontier of the Roman Empire. Then he returned to Soria with a souvenir

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