I wanted to be one of the great science fiction sagas, but the box office failure took ahead to the book saga

‘Twilight’ and ‘The hunger games’, like or not, marked an era. His aesthetics, his arguments and even his industrial logic (successfully female literary saga, and that adapts in a film with aspiration to open a saga) sowed A series of seeds that set in a good amount of sagas As the semi -infallid ‘divergent’, although few achieved the fame of the two most successful franchises.

In fact, Stephanie Meyer herself, author of ‘Twilight’, launched to experiment with science fiction. The result was’The host‘, a new editorial success that was quickly adapted to the cinema. And the film, directed by Andrew Niccol (signatory of ‘Gattaca’ and screenwriter of ‘The Truman show’), was not bad at all. However, the failure was considerable, with only 63,3 million dollars collected around the world compared to 40 budget, insufficient for the saga to have continuity.

The film tells how the earth has been invaded by beings that are housed in human bodies and control their minds. The creature that inhabits the body of a young land has to live fight against the memories of this, who strives to not losing the control. To do this, rConstantly recue the man who is in lovewhich makes the creature, Wanderer, also ends up in love with that human. Both will end up allying to reunite with him.

As you can see, high doses of youth romanticism in a film that, despite its dishes with the teenage fashions of that time, has a good amount of powerful ideas: visually it is attractive, the cast (Saosear Ronan, Diane Kruger, Emily Browning) It is more interesting than usual and has good doses of violence that distance it from the white approach of ‘twilight’. A pity, since Meyers also abandoned the continuation of the literary series, and there is no way of knowing (for the moment) how the story ends.

In Xataka | Between ‘Body snatchers’ and ‘are alive’: 11 films about ultra -corps and other silent extraterrestrial invasions

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