Leticia Sabater’s career has given us at least two surprises. Who was going to think that the girl who touched the kids “at noon, joy” in them say that glorious Spain of 1992 I was going to end up singing ‘La Salchipapa’. But there is double impact: who was going to tell us that the singer of ‘La Salachipapa’ was going to become a Kitsch icon from the wild Tecno, taking good revenues from her indescribable songs and filling fair enclosures with the summer agenda full of bowling? Well that: who was going to tell us.
The mythical Telecinco. What to say about Telecinco of Xuxa’s timethe momchicho, ‘vip night’ and ‘speaking is understood the basca’. Well, there was also Leticia Sabater. In 1990 he presented his first children’s program, ‘Do not miss it’, with Enrique Simón, but since 1991 he has already started tumbos for different Telecinco programs: ‘Breakfast with joy’ (1991-1993), ‘At noon, joy’ (1992-1993) and ‘Live the Compis’ (1992). Although he would still present some more children’s program in TVE, they would be those that would give him fame, since it was the containers where successful series such as ‘Lupin’, ‘Knights of the Zodiac’ or ‘Super Mario Bros’ were issued.
Serious things. When Telecinco left behind the times of ‘Oh what heat’ And he turned to a less strident program, Leticia Sabater’s career went through a hiatus from which he left in a program of the local Channel 7, ‘dangerous lies’ (among others such as ‘Danube Azul’, ‘Your second honeymoon’ or even a child, ‘snack with Leticia’). The result was a memorable shout showinsults and embarrassment on set remotely inspired, in local TV version (with all that implies) in another television cathodic legend, Jerry Springer’s program.
Although Leticia’s career would still have rope on television, in many competitions, realities and special interventions, let’s stay with ‘dangerous lies’. That turn towards the adult public friend of the knife and the desire, and very aware of the calaña of what he is seeing gave him the key to the next step of his career.
The sausage. Not a decade ago ‘The sausage‘He entered our lives, and it seems that he has always carried there. But who has almost always the music of Leticia, who launched a few success albums between children and youth audiences in her telecinquera stage, with successful themes such as’Your favorite neighbor‘. Since 2011 adult music is reoriented, with a trchante version of ‘He went away‘And issues clearly oriented to the gay market, such as’ Mr. Policeman ‘and’ Gay Universe ‘.
However, nothing prepared us for the sauspapa, a virtually amateur production song and clearly oriented to conquer the throne of the summer song, Latin -style Latin -style subsection of King Africa, to which the song imitates without complexes. But it was a funny crash with Lalachus (who tweeted “for the fans of Kuala Lumpur de Leticia Sabater” and the artist, the artist, Thinking that he had insulted him“Huala Lampur replied will be your motherfucker”) what viralized ‘La Salchipapa’ arriving in the following days to three million views.
New milestones. Since then, Leticia Sabater has tried ‘The Polvorrón‘, ’18 centimeters dad’ or ‘Brown me on the turkey‘, who musically approach the involuntary experimental pop of FLOS MARIAE. The funny thing is that despite being such a clear product of niche, Leticia Sabater has considerable popularity:. With One million followers on Instagramits concert agenda is always full: in the summer of 2024, for example, He gave 24 concerts only in Aragon. With a 2500 euro cache for a set of six songs, Leticia Sabater is far from being a Freak further.
This is Leticia’s youth. Undoubted Millennial. That success is what has led him to put 10,000 people in a tent Installed in Biota, a town of 800 inhabitants, and the images of their concerts leave no doubt about their predication among the youngest. The ability to earn that audience comes, without a doubt, to embrace without complexes its category of Camp and Kitsch vehicle capable of transcending generations, becoming for example a meme with its Participation in the musical ‘fronze’ in a circusreplicating the success of Disney’s ‘Frozen’.
Generation Z values content that is authentically extravagant, not simulated, and flees from the cool poses spent Millennials and previous generations. Leticia Sabater’s ability to generate visceral reactions of laughter or rejection and his lack of pretensions give you a Halo of authenticity than the most young people appreciateinheriting the passion for internet culture by personality without filters Of so many Influencers. So much later, Leticia Sabater conquers the kid.
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